
Submitted by K Mack, wrapped in plastic.
The murder. The possession. The silliness. The sex. The dark forest and ever-present owls. The coffee and cherry pie. The insane cast of characters (a real bag of mixed nuts). The talking logs. And lest we forget: The pine weasel. When it debuted, Twin Peaks became a sensation. But pressure to reveal Laura Palmer’s killer drove the show (and its creators, David Lynch and Mark Frost) into television hell. Quality (severely) declined with the ratings. Eventually, over Lynch’s objections, the killer was revealed in what was, and is for me still, 15 of the most terrifying minutes ever committed to film. The show dragged on for another half-season, without much input from Lynch and Frost, and was soon cancelled. Of course, Lynch revisited Twin Peaks a few years later with Twin Peaks: Fire Walk With Me, a very dark (and much-maligned) prequel film. One could argue that many successful shows that have aired since–LOST, for example–owe a lot to Twin Peaks.
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